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Endrinal Julie Anne R. Benitez Kylie Manalo-Balagtas. Television programs. Tiagong Akyat. Gerald Anderson and Erich Gonzales.

Pepeng Agimat. Jake Cuenca and Sam Pinto. Bianong Bulag. Jason Abalos and Jessy Mendiola. Kapitan Inggo. Tanging Yaman. Political drama , Romance. Kung Tayo'y Magkakalayo. Action , Melodrama , Romance. Drama , Fantasy , Romance. Drama , Romance. Drama , Fantasy.

MY TOP 5 FAVORITE COMING-OF-AGE STORIES!

Fantasy , Drama , Adventure. Mara Clara. Kathryn Bernardo and Julia Montes. Fantasy , Drama. Green Rose. Action , Drama , Romance , Suspense. Minsan Lang Kita Iibigin.

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Coney Reyes , Jodi Sta. Maria and Xyriel Manabat. Drama , Fantasy , Comedy. Romance , Drama , Comedy. Drama , Crime , Mystery , Thriller. Ikaw Ay Pag-Ibig. Drama , Fantasy , Religious. Walang Hanggan. Melodrama , Romance. Dahil Sa Pag-ibig. Melodrama , Politics , Religious.

Kung Ako'y Iiwan Mo. Kids get safe space to tell their stories in moving tale. By Jacqueline Woodson. Just Like Jackie. Emotional tale of girl's struggle with her family history. Gripping story of three sibs fending for themselves in By Sheila O'Connor. Brave misfit tames fears in inspiring, surprising novel. By Rebecca Stead. Louisiana's Way Home. Harrowing, heartfelt, funny tale of '70s Southern tween.

By Kate DiCamillo. Dynamic, enthralling kid's-eye-view of s Harlem. By James Baldwin.

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Moving tale of girl whose brother died in school shooting. By Kathryn Erskine. Raymie Nightingale. Tragedy, triumph, and wisdom in funny, heartfelt tween tale. Heartfelt, soaring, fast-break story of loss and growth. By Kwame Alexander. Revolution Is Not a Dinner Party. Gripping story, great intro to China's Cultural Revolution. By Ying Chang Compestine.

Riding Chance. Horse helps city boy heal in moving self-discovery tale. By Christine Kendall. See You in the Cosmos. Sweet, quirky road story sparkles with warmth and wisdom. By Jack Cheng. Shouting at the Rain.

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Girl grapples with being abandoned in bittersweet tale. By Lynda Mullaly Hunt. Authentic, nuanced tale of Brooklyn boy has lots of heart. By Torrey Maldonado.

The True History of Lyndie B. Well-told Southern tale touches on suicide, alcoholism. By Gail Shepherd. Moving tale of facially different boy with inner beauty. Tales of injustice masterfully blend with a dash of magic. By Pam Munoz Ryan. Genesis Begins Again. Teen learns to love herself in uplifting tale of misfits. By Alicia D.

Joey Pigza Swallowed the Key. Sympathetic, realistic portrait of boy with ADHD. By Jack Gantos. The Line Tender. Story of loss explores life in and out of the ocean. By Kate Allen. A Place to Belong. Emotional post-WWII story promotes compassion, perseverance. By Cynthia Kadohata. Diamond Boy. Heartbreaking, powerful tale amid diamond mines of Zimbabwe. By Michael Williams. Gripping, unnerving story of teen boy contemplating revenge. Miles Morales: Spider-Man. We will try and respond to your request as soon as reasonably practical.

When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you. Cody Delistraty. He writes on literature, psychology and interesting humans. Brought to you by Curio , an Aeon partner. Edited by Marina Benjamin. It begins to rain, and Holden — having spent most of the book in some form of anxiety, disgust or depression — now nearly cries with joy.

It was just that she looked so damn nice, the way she kept going around and around, in her blue coat and all. Holden watches his sister reach out for a ring from her bobbing horse, and he has a profound revelation: life is about maintaining some form of optimism and innocence — of continuing to try, even in the midst of an impossible world. Holden has had an emotional experience and, as a result, has found himself. This, in turn, will allow him to enter society, which marks his growing up.

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According to Dilthey, self-integration implies social integration, thus the Bildungsroman is concerned predominately with leading the protagonist and the reader into his productive societal place. It is largely from this tradition that most contemporary coming-of-age culture, Salinger included, springs. Romantic stories climax with the ultimate, run-to-the-airport revelation.

The family-versus-work story has the protagonist making a final decision to be with his loved ones, but only after almost losing everything. Sometimes there are slight inversions, but the coming-of-age story remains essentially the same. His single moment of understanding comes in the back of the bus that whisks him away with Elaine who flees her own wedding to another man.

Modern psychology backs up such notions of a fluctuating, erratic self. For the past few decades, the study of personality came in two basic modes. One argued that personality is formed and fixed in early childhood. Most recently, research studies suggest a melding of these views. The past is nothing; the future is everything. This idea of inherent, Adam-and-Eve innocence, and the particularly American interest in it, is perhaps tantamount to a renunciation of history. Such denialism infuses both American stories and narratives of national identity, said Ihab Hassan, the late Arab-American literary theorist.