Guide Shakespeare and the Body Politic

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Plowden built on medieval theories and on writing on the theme by Sir John Fortescue from the s, the metaphysical side of which has a theological as well as political emphasis. It starts eight lines down on p. Full catalogue details. Shortly after James I took the throne, he announced that he would be the new sponsor of Shakespeare's theatre company, which renamed itself the King's Men. Andrew Dickson explains how the royal sponsorship affected the company, and the ways in which the playwright's later works engage with his transition from an Elizabethan to a Jacobean subject.

The Body Politic

King Lear is a tragedy based on the chronicle history of a pre-Roman, Celtic king of Britain. Shakespeare's body of work is indeed politic, and the whole that it forms incorporates us all. Nichols List of Contributors Index show more. Review quote [T]he articles provide interesting and instructive perspectives. Teachers and students within the undergraduate forums of several disciplines should find ideas to explore here, as well as a useful bibliography.


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Dobski and Dustin Gish, organizes its contents under three rubrics: the heart, the limbs, and the head. The book is an insightful exploration of one of Shakespeare's most enduring metaphors: that of the political state as a sentient body whose parts, in Menenius's memorable fable in Coriolanus, correspond to the human frame, with the belly as the senators of Rome, sending nourishment through the "rivers" of the blood to all "the cranks and offices of man" only to meet with the insolent defiance of the "mutinous members," the populace, the outward limbs.

This concept, explored with fresh analysis and fruitful observations in this collection, gives us much to think about in Shakespeare's world where princes, statesmen, nobles, clergymen, and commoners are all political actors.

BODY POLITIC AND POLITICAL BODY IN CORIOLANUS | Forum for Modern Language Studies | Oxford Academic

About Bernard J. Dobski Bernard J. Dobski is Associate Professor of Political Science at Assumption College, where he teaches courses in international relations, American politics and political philosophy, including a course on Shakespeare's politics.

Dustin Gish has published articles, book chapters, review essays, and reviews on a wide range of topics in the history of political philosophy, including the political thought of Homer, Xenophon, Plato, William Shakespeare, and Thomas Jefferson. He currently teaches ancient and early modern constitutionalism as Lecturer in the Institute for the American Constitutional Heritage at the University of Oklahoma.

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